(red) circuition
2026
(red) circuition (2026) creates a controlled ambiguity through a combination of wood and treated glass. Sheets of glass are carefully broken into fine lines and treated so that colour appears and disappears depending on the direction of view. Moving around the object clockwise results in shining red reflections, while movement in the opposite direction makes those same lines appear neutral, almost absent. The red colour flows around the object, increasing and decreasing in strength, inspired by tidal movements. The joinery folds around the glass in a corresponding manner, enhancing a feeling of flow and circulation.
oak wood, glass, ink
370 x 285 x 197 mm
370 x 285 x 197 mm
cusp
2026
The work explores the instability of perception through a shift in viewpoint.
From one side the lines in the glass reveal colour. From another, they
appear neutral, almost absent. The change is abrupt yet precise, depending
on the viewer’s position and the angle of light.
A 6mm sheet of glass is carefully broken into fine lines and treated so that
colour appears only from one side. These lines align with the surrounding
elm frame: red with the reddish core wood, and the absence of colour with
pale sapwood, depending on the viewpoint. This heightens the contrast and
reinforces the interplay between presence and absence.
Colour emerges conditionally, appearing and
disappearing as the viewer moves. The broken lines cast shadows onto the
wall behind, producing a secondary image that extends the work beyond
its physical boundaries.
This work continues my interest in how meaning is formed through
perception and expectation. It suggests that meaning is not inherent to the
object alone, but emerges in relation to the viewer, shaped by position and
context.
elm wood, glass, ink
679 x 541 x 28 mm
679 x 541 x 28 mm
shards
2026
A drawing, linked to a previous work, is transformed in glass. Thanks to the material properties and the technique used, the cracks simultaneously trace the intended lines and diverge outward unexpectedly. The work invites the viewer to reflect on their perception of a cracked piece of glass and investigates how we bring our own imagination to the act of seeing. It explores the space between intention and perception, between what is present and what we perceive.
maple wood, glass, cotton thread
654 x 245 x 20 mm
654 x 245 x 20 mm
(un)equivocal
2025
This piece explores the border between vagueness and clarity. Through design, choice of materials and wall placement, the work subtly shifts the viewer’s stance, evoking curiosity about what’s inside. A vague feeling is inflicted on the viewer. The piece invites reflection on the ways understanding takes shape through perception, questioning boundaries between seeing and knowing.
birch wood, glass
543 x 344 x 210 mm
543 x 344 x 210 mm
untitled
(work in progress)
2026
Proof of concept for future work. The glass vessel both showcases and obscures its contents, depending on the vantage point from which the work is approached.
oak wood, glass, tape, rock
212 x 92 x 44 mm
212 x 92 x 44 mm
continuum I (right) and
II (left, middle)
2026
Continuum I and II are an exploration of the shifting space between perception, reality and imagination. Our understanding of the world around us is shaped not only by how it is constructed, but by how we approach it. As the viewer moves, the form and its reflection continuously realign, never settling into one single fixed image. The work emphasizes that meaning is not embedded only in the object but emerges in the encounter with and the act of looking at it.
oak wood, mirrored glass (I)
elm wood, mirrored glass (II)
elm wood, mirrored glass (II)
180 x 110 x 50 mm (I)
300 x 180 x 130 mm (II)
300 x 180 x 130 mm (II)
apparition
2026
Futher development of the concept behind continuum I and continuum II (see above). For this piece, the mirrored image is deliberately disrupted through delicate work on the mirrored backing: a sharp line is created between the reflection and transparency using woodworking tools and acids. The sharp line creates a tension between what is present, what is perceived and what is absent.
oak wood, mirrored glass
180 x 110 x 50 mm
180 x 110 x 50 mm
suspended by attraction
2026
This work stages the tension between a magnet and a piece of steel, suspended in air and held in place only by their mutual attraction. Using a metal lathe, a thin wire regulates the distance between them, allowing just enough space for a fragment of emptiness. An invisible field is made perceptible. The construction relies on force, restraint, and material properties: pull and resistance, weight and balance, proximity and limit. The piece invites viewers to consider how connection exists not only in contact, but in the charged space in between.
magnet, steel, fishing wire
434 x 18 x 18 mm
434 x 18 x 18 mm